The Buffy the Vampire Slayer reference article from the English Wikipedia on 24-Jul-2004
(provided by Fixed Reference: snapshots of Wikipedia from wikipedia.org)

Buffy the Vampire Slayer

Learn about the lives of children in Africa
Buffy the Vampire Slayer: The Complete Second Season, DVD collectionEnlarge

Buffy the Vampire Slayer: The Complete Second Season, DVD collection

Buffy the Vampire Slayer is a US television series loosely based on the 1992 movie of the same name.

It first aired in March 1997 on the Warner Brothers network; after five seasons it transferred to the United Paramount Network (UPN) for two more seasons, and the final episode aired in May 2003. The series was created by Joss Whedon and produced by Mutant Enemy Productions. The show's title is often abbreviated simply to Buffy or BtVS.

The series follows the adventures of a young girl chosen by fate to battle against the forces of evil, usually with the help of her Watcher and her loyal circle of misfit friends.

In addition to its critical success and cult appeal, the show functions as a contemporary parable, using supernatural elements as metaphors for personal anxieties, particularly those associated with adolescence and young adulthood.

Warning: Plot details follow.

Table of contents
1 Genesis, Plot and Format
2 Works Inspired by Buffy
3 Characters
4 Other Languages
5 See also
6 External links

Genesis, Plot and Format

The show's creator, Joss Whedon, has stated that one of his aims was to depart from the usual horror film formula. In a "traditional" horror film, a diminutive blonde girl would take a shortcut through a graveyard and either meet an unpleasant end, or be rescued by a handsome well-armed male hero. By casting that ostensibly "vulnerable" blonde as his heroine, and then turning that cliché on its head, Buffy presented a fresh paradigm which has been embraced by many as an emblem of female power. In Whedon's narrative, Buffy's male friend Xander is more likely to need rescuing. Buffy is more than capable of looking after herself, though her personal life is as confusing and painful as any teenage girl's. This combination of empowerment and empathy has earned Buffy a passionate following among fans.

The show is set in the fictional California town of Sunnydale, whose suburban high school rests on the site of a "Hellmouth", a gateway between our world and the darker demon realms. The Hellmouth serves as a nexus for a wide variety of evil creatures and foul misdeeds. The most prominent monsters in the Buffy bestiary are vampires, who are presented in the show in a variety of ways, selectively following traditional myths, lore, and literary conventions. Buffy and her companions also fight a wide variety of demons, shape-shifters, ghosts, gods, trolls and zombies, and are so frequently called upon to save the world from global annihilation (usually at least a couple of times a season) that they quickly find themselves, as the character Riley Finn puts it, "needing to know the plural of apocalypse". The mythology of the show is often inspired by traditional supernatural sagas and other cultural, fictional, and religious sources. In its seven-year run, the series also developed an extensive contemporary mythology of its own. The supernatural elements of the show almost always have a clear metaphorical or symbolic aspect.

Buffy (played by Sarah Michelle Gellar) is "The Slayer", one in a long line of (often short-lived) young girls chosen by fate to battle the forces of darkness. This calling also mystically endows her with dramatically increased physical strength, endurance, agility, intuition, accelerated healing, and a limited degree of clairvoyance, usually in the form of prophetic dreams. Buffy fights under the direction of her "Watcher", Giles (Anthony Stewart Head), who begins the series as the high school's librarian.

She is also assisted by several friends, who later in the series are nicknamed the "Scooby Gang" because of their distant resemblance to the teens in the cartoon Scooby Doo.

The group battles demonic forces using a combination of physical combat, detective work, various forms of magic and sorcery, and the extensive research of ancient and mystical texts.

The show is noteworthy in part for its agile blending of genres, including horror, martial arts, romance, melodrama, farce, and witty comic banter. Unlike the movie, which, for the most part, was poorly received (and practically disowned by its author, Whedon), the TV series achieved great popular and critical success, appreciated equally by middle-aged TV critics and its primarily teen/twentysomething audience. Many attribute the show's success to the smartly written scripts and inspired vision of Whedon. The show and characters inspire an unusually strong emotional connection with fans.

Buffy has also been noted for taking artistic risks in both format and content. The 1999 episode "Hush" included 26 minutes without any spoken dialog, and received an Emmy Award nomination for best teleplay. The 2001 episode "The Body", which revolved around the death of Buffy's mother, was included in over 100 major critics' Ten Best lists that year. The fall 2001 musical episode "Once More, With Feeling" has also received many plaudits.

Many Buffy stories are thinly-veiled metaphors for the anxieties and ordeals of adolescence or young adulthood. In "Out of Sight, Out of Mind" invisibility is used as a metaphor for being ignored. In "The Pack", Xander and other teens become hyenas, which allegorizes the pack mentality that often results from negative peer pressure. Perhaps the show's most celebrated metaphor occurs after Buffy and Angel consummate their love: Buffy loses her virginity, and Angel loses his soul. As Sarah Michelle Gellar puts it: "That's the ultimate metaphor. You sleep with a guy and he turns bad on you." [1]

The show has also garnered criticism for this and other ostensibly "puritanical" subtexts. The episode "Beer Bad", in particular, has aroused controversy among both fans and critics of the show for its apparent endorsement of conservative American norms for teenage behavior. Whedon has denied this charge:

SFX Magazine: What story will you never tell on Buffy, Angel, or Firefly?
Whedon: "Wow, smoking pot is wrong, I see that now!" [1]

Whedon has noted that it was always his desire to have a gay character on the show. As Buffy's main premise involved characters who were stereotyped as weak outsiders becoming strong and powerful, he initially wanted to have a gay male character. Eventually it was decided that the character of Willow would discover her sapphic destiny (at the very time she was awakening to her Wiccan superpowers), and in season four she began a romantic relationship with the character of Tara. This created some controversy in the media: the producers and the network received criticism, both from those opposed to gay characters on television, and from some pro-gay viewers who felt that the initial physical tepidness of the relationship, as well as the fact that the gay characters were both "witches", was reinforcing negative stereotypes. The show's creative team insisted that their intent was not to sensationalize or exploit the gay relationship, and displays of physical affection between the two characters were introduced very slowly, eventually becoming a natural part of the show.

Whedon has stated that he is a fan of serialized fiction, and to this end each season, rather than being purely episodic, tends to follow a largely self-contained story arc, with its own unique villain. This "Big Bad" is often preceded by a "Little Bad", a minor villain introduced to throw viewers off-track.

Buffy is credited (alongside the teen drama Dawson's Creek) with playing a key role in the success of the Warner Brothers television network in its early years.

Whedon has often noted the impact that comic books have had on his work. He is currently writing for the Astonishing X-Men series and has credited Kitty Pryde as a significant influence on the character of Buffy.

Works Inspired by Buffy

Buffy's perpetually tragic, doomed love for the vampire-with-a-soul, Angel, played by David Boreanaz was a recurrent theme in the first three seasons of the show. Angelus, as he was originally known, had his human soul restored by a gypsy curse, plaguing him with guilt over the two hundred years of murder and mayhem he had inflicted on a slew of innocent victims. The Angel character was so popular that a series featuring him, Angel, was spun off from Buffy; there were occasional "crossovers" between the two shows and these continued into the final season of Angel even though Buffy was no longer on the air.

Angel and Buffy have both inspired several comic book adaptations, magazines, companion books, novelizations, video games and additional spinoff proposals (including a cartoon series and a BBC drama), as well as countless websites, online discussion groups, and works of fan fiction. There have also been two soundtrack albums ( and ), as well as a CD (and, in Europe, DVD single) of the "Once More, With Feeling" musical episode.

The show has recently inspired several academic books and essays, including Reading the Vampire Slayer, edited by Roz Kaveney, and Buffy the Vampire Slayer and Philosophy edited by James B. South. Academic courses known as "Buffy Studies" are being offered at an increasing number of universities. Fans of both Buffy and Angel often use the terms Jossverse or Buffyverse to describe the rich universe the shows share.

As well as these non-televisual offspring, Buffy has exerted a marked influence on TV and film, with shows such as Smallville and Charmed as well as movies such as The Faculty and Bring It On owing something in their verbal style and (in the first three instances) thematic concerns to the show. In addition, many Buffy alumni have gone on to write for or create other shows, some of which bear a striking resemblance to the outer reaches of the Buffyverse. Such Whedonesque endeavors include Tru Calling (Doug Petrie), Wonderfalls (Tim Minear), Still Life (Marti Noxon) and Jake 2.0 (David Greenwalt).

Moreover, 2003 saw a number of new shows going into production which featured strong girls/young women privy to some supernatural power or destiny that they are forced to come to terms with while trying to maintain a normal life. These "post-Buffy" shows include the aforementioned Tru Calling and Wonderfalls, as well as Dead Like Me and Joan of Arcadia. In the words of Bryan Fuller, the creator of Dead Like Me and Wonderfalls:

[Buffy] really turned a corner for series storytelling. It showed that young women could be in situations that were both fantastic and relatable, and instead of shunting women off to the side, it put them at the center.

Characters

Main Characters

Big (& Little) Bads

Occasional Characters

Other Languages

(See episode entries for details on translation)

See also

External links