Novelfiction written in prose, usually in the form of a story. It is longer and more complex than a short story or novella, and it is not bound by the restrictions of plays and poetry.
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2 History of the novel
2.1 Classical period3 See also
2.2 Oriental works
2.3 Medieval and Renaissance
2.4 18th century
2.5 19th century
2.6 20th century
Qualities of the novel
Most novels have the following qualities, but in each case there are exceptions:
Novels are sometimes contrasted with romances. Romantic fiction tends to be fantastic, to be set in a mythical ancient time, and to have shallower characters than novels. Don Quixote can be read as a parody of the popular romances of chivalry.
History of the novel
In ancient Greece and Rome, these were earliest extant novels (some people would call them precursors of the novel):
From the Orient, there were important early novels, such as:
Medieval and Renaissance
Early medieval novels included:
- Thomas Malory, Le Morte d'Arthur, (English, 1485).
- Joanot Martorell, Tirant lo Blanc (Catalan, 1490), chivalric romance.
- Jacopo Sannazaro, La Arcadia, (Italian, 1504), pastoral novel.
- Garci Rodríguez de Montalvo, Amadis of Gaul (Spanish adaptation of lost 13th century original, 1508).
- Thomas More, Utopia (Latin, circa 1516).
- François Rabelais, Pantagruel, (French, 1532).
- Jorge de Montemayor, La Diana (Spanish, 1559), pastoral novel.
- Anon, Lazarillo de Tormes (Spanish, 1554).
- Mateo Alemán, Guzmán de Alfarache (Spanish, 1599).
- Cervantes, Don Quixote (Spanish, 1605).
- Francisco de Quevedo, El buscón (Spanish, 1626), masterpiece of the picaresque subgenre.
- Grimmelshausen, Simplicissimus (German, 1669), the most important of the non-Spanish picaresque novels.
The 18th century is considered by most scholars of the English novel to have been the century of the novel's invention or "rise."
Women (and it was mostly women) began writing novels of sexual scandal and intrigue. Scholars have argued that these were inspired by and sometimes based on French sources. Oftentimes the novels were thinly veiled political attacks on the various ruling parties. These works are now usually categorized under the term "amatory fiction." Eliza Haywood was perhaps the most notorious writer of these types of novels, with works as Love in Excess (English, 1719).
Pamela (English, 1740) is often seen as the first novel to embody this new social trend. In it he claimed that he would "instruct" and at the same time "entertain." Richardson's novel began an eighteenth-century tradition of the epistolary novel, that is, a novel written as a series of letters. Contemporary readers were treated to what they identified as a new level of "realism" in literature in Pamela; some scholars have argued that the novel inauguarated the psychological novel because it focused on the psyche of one character (although it seems didactic to us today).
At the same time, the larger "social" novel also appeared. Henry Fielding's The History of Tom Jones, a Foundling (English, 1749) is the first major example of this type of novel in which a central character is used to comment on the major social issues of the day and to explain the social and political networks of society. So, rather than understand Tom in the same depth that we do Pamela, we understand Tom in relation to his surroundings. Fielding claimed that he was inventing "a new species of writing" in his novel, the "comic-epic in prose." Interestingly, he did not see himself as a novel writer.
In some ways, the "novel of sentiment" or "sensibility" joined these two traditions together. It both focused on the psyche of one particular character and showed that character in relation to his/her society. It generally depicted a naive young country girl forced to confront the evils of the city; an excellent example of this genre is Frances Burney, Evelina (English, 1778).
Finally, at the end of the century, the Gothic novel arose in response to several eighteenth-century strands of thought, most notably, sensibility and rationalism, as well as political events such as the American and French Revolutions. The Gothic, dominated in contemporary opinion by the author Ann Radcliffe, tended to depict innocent, overly sentimental young women who were imprisoned (usually in a castle) and manipulated by both dark villains and, at times, spirits: The Mysteries of Udolpho (English, 1794).
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.
- Ballaster, Ros. Seductive Forms: Women's Amatory Fiction from 1684-1740. Oxford: Clarendson Press, 1992.
- Hunter, J.P. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: Norton and Co., 1990.
- McKeon, Michael. The Origins of the English Novel: 1600-1740. Baltimore: Johns Hopkins University Press, 2002.
- Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley: University of California Press, 1957.
19th centuryThe 19th century was the great century of the novel. The major authors were French, English, Russian, and American:
- Jane Austen, Pride and Prejudice (English, 1813).
- Stendhal, The Red and the Black (French, 1830).
- Honoré de Balzac, Le père Goriot (French).
- Herman Melville, Moby-Dick (American, 1851).
- Gustave Flaubert, Madame Bovary (French,1857).
- Charles Dickens, Great Expectations (English, 1860-1861).
- Victor Hugo, Les Miserables (French, 1862).
- Leo Tolstoy, War and Peace (Russian, 1865).
- Fyodor Dostoyevsky, Crime and Punishment (Russian, 1866).
- Mark Twain, The Adventures of Huckleberry Finn (American, 1885).
- Benito Pérez Galdós, Fortunata y Jacinta (Spanish, 1886-1887).
20th centuryIn the first decade of the 20th Century, modernism emerged:
- Marcel Proust In Search of Lost Time, (French, 1913-1927).
- James Joyce Ulysses (English, 1922).
- Thomas Mann The Magic Mountain (German, 1924).
- Franz Kafka The Trial, (German, 1925).
- William Faulkner (English).
- Mario Vargas Llosa, La ciudad y los perros (Spanish, 1963).
- Gabriel García Márquez, Cien años de soledad, (Spanish).
See alsoLiterature, the short story, theater, poetry, novella, first novel in English.